1999 "Capturing the Dancing: Why and How?" Theresa Buckland,
editor. Dance in the Field : Theory, Methods and Issues in Dance
Ethnography. England: Macmillan Press ; New York: St. Martins
Press, pp. 85-99.
1998 "Movement in Shamanic Contexts. An Inquiry." Keith Howard,
editor. Korean Shamanism. Revivals, Survivals, and Change.
Seoul: Royal Asiatic Society, Korea Branch, pp. 153-186.
1998 "For Men or Women: The Case of Chinju Kommu, a Sword Dance
from South Korea." Choreography and Dance, Vol. 5, Part 1,
pp. 53-70.
1998 "Tools for Movement Analysis: A Korean Application." International
Council of Kinetography Laban. Proceedings of the Twentieth Biennial
Conference, August 9-August 14, 1997, held at the Hong Kong Academy
for Performing Arts. Hong Kong: Hong Kong Academy for Performing
Arts, pp. 129-138.
1996 "The Use of Space in Chinju Kommu, International Council
of Kinetography Laban." Proceedings of the Nineteenth Biennial
Conference. Ohio: International Council of Kinetography Laban,
pp. 39-51.
1993 "Characteristics of Nrtta in Bharata Natyam." George Kliger,
editor. Bharata Natyam in Cultural Perspective. New Delhi:
Manohar, American Institute of Indian Studies, pp. 43-90.
1993 "Labanotation scores for lower body motifs used in hula
pahu and for 16 hula pahu dances." Adrienne Kaeppler. Hula Pahu.
Hawaiian Drum Dances. Volume I. Haa and Hula Pahu: Sacred Movements.
Honolulu: Bishop Museum Press. (Scores are spread throughout the book.)
1993 Index of Technical Matters and Technical and Non-Technical
Papers from the Biennial Conferences of the International Council
of Kinetography Laban. Ohio: International Council of Kinetography
Laban (Dance Department). (co-compiler with Sharon Rowe and Lucy Venable)
1992 "The Use of Space in Choyongmu." International Council
of Kinetography Laban. Proceedings of the Seventeenth Biennial Conference,
August 1-August 12, 1991. Ohio: International Council of Kinetography
Laban, pp. 55-66.
1988 "The Value of Universality in Dance Notation Systems,
with Selected Examples from Labanotation." International Conference
on Coordination Method Dance Notation and Application. Digest of Papers.
Nanjing, People's Republic of China: Academy of Arts of China and
Nanjing Institute of Technology, pp. 175-181.
1988 "Examining Movement in the Context of the Music Event:
A Working Model." Yearbook of Traditional Music. Vol. 20, pp.
125-133.
1987 "Balasaraswati's Tisram Alarippu: A Choreographic Analysis."
Asian Music, Vol. XVIII, No. 2 [Spring/Summer 1987],
pp. 45-102. (republication of 1983 article of same title)
1985/1986 "What Is the Dance? Implications for Dance Notation."
Dance Research Journal, Vol. 17, No. 2 and Vol. 18, No. 1 (Fall/Spring),
pp. 41-47.
1984 "The Potential of Movement Analysis as a Research Tool:
A Preliminary Analysis." Dance Research Journal, Vol. 16, No.
1 (Spring), pp. 3-26. (Co-authored with Betty True Jones, Peggy Hackney,
Irmgard Bartenieff, and Carl Wolz.)
1984 "How Much Does a Score Say?" Proceedings of the Thirteenth
Biennial Conference 3-14 August 1983. Ohio: International Council
of Kinetography Laban, pp. 104-106.
1983 "Balasaraswati's Tisram Alarippu: A Choreographic Analysis."
Wade, Bonnie C., editor. Performing Arts in India. Essays of Music,
Dance, and Drama. Maryland: University Press of America. (Monograph
Series No. 21, Center for South and Southeast Asia Studies, University
of California, Berkeley), pp. 47-104.
1982 The Japanese Bon Dance in Hawaii. Hawaii: Press
Pacifica.
1981-1982 "Seeking Notation Solutions, with reference to Japanese
bon dances in Hawaii." Dance Research Journal. Vol. 14, Nos.
1-2, pp. 53-54. (Republication of 1981 article "Notating Japanese
Bon Dances as Performed in Hawaii.")
1979 "Exploring Notation as a Research Tool: Implications of
Selected Projects on Asian and Pacific Dance." Proceedings of the
Eleventh Biennial Conference, 13-22 August, 1979, International Council
of Kinetography Laban. Ohio: International Council of Kinetography
Laban, pp. 18-34.
