116 Modern Dance Classroom Combinations. Notated by
Ray Cook, 1979.
Bettis, Valerie. Six swing study.
Bodmer, Sylvia. Circles in the dimension plane. Notated
by Albrecht Knust, 1960.
_____. Group study on B scale. Notated by Albrecht Knust,
1960.
_____. Study on Lemniscate movement. Notated by Albrecht
Knust, 1960.
_____. Study on Volutes of the A scale. Notated by Albrecht
Knust, 1960.
Chadinoff, Atty. Exercices au Sol. Notated by Haas and
Knust, 1964.
Chilkovsky, Nadia. Study in flowing successional movement.
Combined torso movements. Notated by Judy Babcock.
Cunningham, Merce. Merce Cunningham technique. Notated
by Carol Ann Egan,
1959.
_____. Merce Cunningham technique. Notated by Judith
Hogan, 1962.
_____. Technique phrases and exercises in the Cunningham idiom.
Notated by Amanda Thom Woodson, 1987.
_____. Technique variations. Notated by Patricia Howell,
1971.
Currier, Ruth. Barre. Notated by Mary-Jane Evans, 1972.
Duncan, Isadora. Secret document number 1.
Emmons, Joanne. [untitled] Notated by Joanne
Emmons.
Gifford, Joe. [untitled]
Graham, Martha. [untitled] 1948.
_____. [untitled] Notated by Pauline de Goot,
1959.
_____. Classroom combinations in the Graham technique. Notated
by Diane Gray, 1962.
_____. Dance studies in Graham technique. Notated by
Harriet Grossberg.
_____. Early Graham technique. 1985.
_____. Graham combinations. Notated by Georgette Amowitz,
1964.
_____. Graham Technik. 1965.
_____. Graham technique. Notated by Carol Miller, 1963.
_____. Martha Graham technique. Notated by Clover Roope,
1966.
_____. The Graham technique glossary. Notated by Muriel
Topaz, 1966.
_____. Graham classroom combinations.
Guest, Ann Hutchinson. Waltz for Cs. Notated by Ann
Hutchinson Guest, 1955.
Hackney, Peggy. Study to the music of Fernando Sor.
Notated by Peggy Hackney, 1967.
Hanya, Hanya. Etude #1. Notated by Allan Miles, 1962.
_____. Etude #2. Notated by Allan Miles, 1962.
_____. Etude #3. Notated by Allan Miles, 1963.
_____. Development of a weight shift pattern. 1958.
_____. Movement analysis. 1961.
Horton, Lester. [untitled] Notated by Cook,
1962.
Hoving, Lukas. [untitled] Notated by McRae and
Spivey.
_____. 2 Etuded von Lukas Hoving. Notated by Helga Fritsche,
1958.
_____. Etude von Lukas Hoving. Notated by Helga Fritsche,
1958.
Humphrey, Doris and Weidman, Charles. From studio to stage.
Notated by Mary J. Barnett, 192.
Humphrey, Doris. The dance technique of Doris Humphrey.
Notated by Jane Marriett, 1981.
Jooss & Leeder. Beginners technique study.
Notated by Ann Hutchinson Guest, 1937.
_____. Technique studies. 1956.
Jooss, Kurt. Deminstration of Jooss technique. Notated
by Ellen Levand, 1958.
_____. Folkwang - Etuden. Notated byKruppke and
others.
_____. Jooss modern dance technique. 1959.
_____. Modern dance warm-up exercises. Notated by June
Wilson, 1977.
_____. Tanzformen. Notated by Albrecht Knust.
_____. Tanztechnik. Notated by Donker and Knust, 1955.
Kniaseff. Kniaseffs Exercises. Notated by Allan
Miles, 1971.
Koner, Pauline. Koner modern technique. Notated by Lucy
Venable, 1957.
Kozlowiecka, Zofia. Poznanskie Studium kinetografti.
Notated by Violetta Kabs et al., 992.
Laban, Rudolf. Dimensional scales and dimensional studies.
Notated by Rudolf Laban.
_____.Laban scales studies. Notated by Katherine Hooper,
1953.
_____. Laban six scale. Notated by Els Grelinger, 1962.
_____. Laban six scale. Notated by Els Grelinger, 1962.
_____. Laban six scale. Notated by Hooper and Bartenieff.
_____. Laban six scale. Notated by Katherine Hooper.
Lathrop, Welland. Classroom Combinations.
Leeder, Sigurd. Opposition waltz. Notated by Ann Hutchinson
Guest, 1959.
Lewis, Daniel. Tendu and body swing combinations. Notated
by Robinson et al, 1980.
Limón, José. Connecticut College advanced Labanotation
project. Notated by Hendrickson, et al., 1965.
_____. Dance combinations utilizing turns. Notated by
Connie Zander, 1962.
_____. Hop turn sequence with floor plan. Notated by
Joanne Emmons, 1949.
_____. José Limóns technique. Notated
by Jill Johnston.
_____. Limón technique. Notated by Julia Alessandroni,
1961.
_____. Limón technique. Notated by William Hug,
1957.
_____. Walking sequences. Notated by Lucy Venable, 1968.
Loman, Hettie. Dance suite 1985 no. 1. Notated by Sally
Archbutt, 1985.
Maslow, Sophie. Maslow technique. Notated by Billie
Mahoney.
Modern sequences. Notated by Ann Hutchinson Guest, 1951.
ODonnel, May. Floor exercises. 1977.
Partsch. Tanztechnik.
Patterns on knees. Notated by N. Deckard.
Raye, Zelia. Modern stage dance branch grade examination requirements.
Notated by Ann Hutchinson Guest, 1956.
_____. Rational Limbering. Notated by Carla de Sola.
Schrifttanz-Ubungen. Notated by Albrecht Knust.
Schurman, Nona. Nona Schurman technique. Notated by
Dolores Vanison, 1959.
Shawn, Ted. Shawns exercises. Notated by student
notator, 1959.
Shurr and Yocom. Notation of modern dance techniques and teaching.
Notated by Mabel Robinson.
Sutherland, Eoffney. Dance study based on the right A scale.
Notated by Vivien Bridson, 1966.
Taliaferro, Clay. Master class.
Tamaris, Helen. Exploration of an outer action with inner feeling.
1959.
Tilts. Notated by Coopersmith, Judy.
Torso and chest rotations. 1983.
Veen, Jan. Dance form from "The Vassals."
_____. Etude.
_____. Study in direction and space.
Walker, Norman. Modern dance technique. 1961.
Weidman, Charles. [untitled]
Winearls, Jane. Choreutic studies. Notated by Albrecht
Knust, 1952.
_____. Dynamic tango. Notated by Robert Harvey, 1956.
_____. Modern dance studies. Notated by Nancy Harlock,
1974.
_____. Sixteen modern dance studies for piano.
_____. Study on direction and design. Notated by Robert
Harvey, 1956.